Composing for the Films
{"WorkMasterId":7797,"WpPageId":289668,"ParentWpPageId":193834,"Slug":"composing-for-the-films","Url":"https://chrisdeasy.com/theos/humanities/philosophy/philosophers/theodor-w-adorno/composing-for-the-films/","RelativeUrl":"theos/humanities/philosophy/philosophers/theodor-w-adorno/composing-for-the-films/","HasFullText":false,"RawHtmlLength":68119,"CleanHtmlLength":14731,"Kicker":"Philosophy Work","Title":"Composing for the Films","Deck":"Adorno and Eisler examine film music, industrial production, montage, sound, and the social function of modern media.","BackLink":{"Text":"Back to Theodor W. Adorno","Url":"https://chrisdeasy.com/theos/humanities/philosophy/philosophers/theodor-w-adorno/"},"AuthorCard":{"Label":"Author","Title":"Theodor W. Adorno","Url":"https://chrisdeasy.com/theos/humanities/philosophy/philosophers/theodor-w-adorno/","MediaHref":"","ImageSrc":"https://chrisdeasy.com/wp-content/uploads/theodor-w-adorno-01-young-portrait.jpg","ImageAlt":"Young Theodor W. Adorno","FilterTerra":"Western Europe","ClickText":"Theodor W. Adorno","ClickHref":"https://chrisdeasy.com/theos/humanities/philosophy/philosophers/theodor-w-adorno/","Copies":["1903 CE – 1969 CE","Frankfurt am Main","German critical theorist, philosopher, sociologist, and music theorist of the Frankfurt School whose negative dialectics, nonidentity, culture industry critique, aesthetics, music sociology, authoritarianism analysis, and postwar social philosophy shaped contemporary critical theory."]},"ContextCards":[{"Label":"Period","Key":"Period:4","Title":"Modern History","DateText":"1800 CE – 1944 CE","Url":"https://chrisdeasy.com/theos/humanities/philosophy/eras-of-thought/philosophers-of-modern-history/"},{"Label":"Era","Key":"Era:11","Title":"Long 19th Century","DateText":"1870 CE – 1913 CE","Url":"https://chrisdeasy.com/theos/humanities/philosophy/eras-of-thought/philosophers-of-modern-history/philosophers-of-the-long-19th-century/"},{"Label":"Composition","Title":"1947 CE","Url":"","DateText":""}],"DateNote":"Source-backed approximate date; repeated years are kept only for actual same-year publication or lecture clusters.","GeoCards":[{"Label":"Region","Key":"Region:1"},{"Label":"Terra Avita","Key":"TerraAvita:1"},{"Label":"Terra Avita Region","Key":"TerraAvitaRegion:3"},{"Label":"Modern Country","Key":"Country:DEU:1"}],"OriginalTitle":"Komposition fur den Film","Language":"English","DisciplineCards":[{"Label":"Primary Discipline","Key":"Discipline:aesthetics"},{"Label":"Secondary Discipline","Key":"Discipline:media-theory"}],"Tradition":"Critical theory / Frankfurt School","FullText":null,"CoreThesis":["Adorno and Eisler examine film music, industrial production, montage, sound, and the social function of modern media."],"Classification":{"AlternateTitles":"Composing for the Films; coauthored with Hanns Eisler","KeyConcepts":"Composing for the Films; coauthored with Hanns Eisler","Methodology":"Public source support.","Structure":"source context only"},"Arguments":["Adorno and Eisler examine film music, industrial production, montage, sound, and the social function of modern media."],"Influence":{"InfluencedBy":"","InfluenceOn":""},"Significance":["Registered as a coauthored work with Hanns Eisler; no full text is imported.","Composing for the Films is registered as a source-backed direct work by Theodor W. 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