Hinduism is reconstructed from a stratified, multi-canonical evidentiary record in which “scripture” functions as a layered prestige hierarchy rather than a single binding canon. Textual authority is distributed across Śruti (Vedic and Upaniṣadic strata), expansive Smṛti corpora (epics, purāṇas, dharma literature), and multiple sectarian canons (Śaiva, Vaiṣṇava, Śākta) that operate as scripture within their own institutional ecologies. Commentarial lineages, philosophical systems, vernacular bhakti literatures, and ritual manuals often govern lived practice more directly than high Sanskrit texts, while authorship and redaction are frequently non-transparent due to composite formation, accretion, and later harmonization. Oral performance—kathā traditions, kīrtan, festival theater, mantra recitation, and guru–śiṣya transmission—preserves authority through practice but varies regionally and is vulnerable to reform, language shift, and politicized standardization. Material, epigraphic, and historical sources strongly document temple networks, patronage economies, pilgrimage geographies, and sectarian institutionalization, yet systematically underrepresent household religion and perishable ritual life. The central analytic requirement is strict stratum- and ecology-tagging, separating Vedic, epic/purāṇic, sectarian, and vernacular layers and distinguishing temple-centered norms from household, village, and renouncer practice.

1. Scriptural / Textual

Canonical texts (scriptures, liturgies, doctrinal writings)

Non-canonical but influential texts (commentaries, philosophical treatises, devotional literature)

Issues: authorship, redaction, translation drift, canon formation

2. Oral Traditions

Stories, hymns, chants, genealogies, sermons

3. Archaeological / Material

Temples, shrines, artifacts, inscriptions, sacred landscapes

4. Epigraphic / Inscriptions

Royal edicts, dedicatory stelae, tomb markers, boundary stones

5. Historical Records

Chronicles, administrative registers, traveler reports, missionary accounts

6. Comparative / Cross-cultural Parallels

Tracing motifs across cultures

7. Modern Ethnography

Anthropological fieldwork, interviews, participant observation

8. Critical Evaluation

Rank evidence by authenticity, independence, representativeness